A good style must, first of all, be clear. It must not be mean or above the dignity of the subject. It must be appropriate.
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Character can almost be called the most effective way to convince others.
The arousing of prejudice, pity, anger, and similar emotions has nothing to do with the essential facts, but is merely a personal appeal to the man who is judging the case.
The greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.
We ought to be able to persuade on opposite sides of a question; as also we ought in the case of arguing by syllogism: not that we should practice both, for it is not right to persuade to what is... ...
Persuasion is effected through the medium of the hearers, when they shall have been brought to a state of excitement under the influence of speech; for we do not, when influenced by pain or joy, or partiality or dislike, award... ...
A period may be defined as a portion of speech that has in itself a beginning and an end, being at the same time not too big to be taken in at a glance
The greatest thing by far is to be a master of metaphor; it is the one thing that cannot be learned from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of... ...
Rhetoric may be defined as the faculty of observing in any given case the available means of persuasion.
It is evidently equally foolish to accept probable reasoning from a mathematician and to demand from a rhetorician demonstrative proofs.
The duty of rhetoric is to deal with such matters as we deliberate upon without arts or systems to guide us, in the hearing of persons who cannot take in at a glance a complicated argument or follow a long... ...
Now all orators effect their demonstrative proofs by allegation either of enthymems or examples, and, besides these, in no other way whatever.